Category Archives: history

Quotes of the Week

A huge selection this week, even with ignoring the royal wedding.

To most Christians, the Bible is like a software licence. Nobody actually reads it. They just scroll to the bottom and click “I agree”.
[Unknown]

Science has never drummed up quite as effective a tranquillizing agent as a sunny spring day.
[W Earl Hall]

Hey you! Yes, you, stop being unhappy with yourself, you are perfect. Stop wishing you looked like someone else or wishing people liked you as much as they like someone else, stop trying to get attention from those who hurt you. Stop hating your body, your face, your personality, your quirks, love them, without those things you wouldn’t be you, and why would you want to be anyone else? Be confident with who you are. Smile, it’ll draw people in, if anyone hates on you because you are happy with yourself then you stick your middle finger in the air and say screw it, my happiness will not depend on others any more. I’m happy because I love who I am. I love my flaws, I love my imperfections, they make me me. And ‘me’ is pretty amazing.
[Unknown]

Life would be infinitely happier if we could only be born at the age of 80 and gradually approach 18.
[Mark Twain]

A lie is a lie even if everyone believes it. The truth is the truth even if nobody believes it.
[Unknown]

A fortune teller told me: Every place is a goldmine. You have only to give yourself time, sit in a tea-house watching the passers-by, stand in a corner of the market, go for a haircut. You pick up a thread — a word, a meeting, a friend of a friend of someone you just met — and soon the most insipid, most insignificant place becomes a mirror of the world, a window on life, a theatre of humanity. The goldmine is exactly over there where you are.
[Tiziano Terzani]

Why am I an atheist? I ask you: Why is anybody not an atheist? Everyone starts out being an atheist. No one is born with belief in anything. Infants are atheists until they are indoctrinated, I resent anyone pushing their religion on me. I don’t push my atheism on anybody else. Live and let live. Not many people practice that when it comes to religion.
[Andy Rooney]

Go now and live. Experience. Dream. Risk. Close your eyes and jump, enjoy the free-fall. Choose exhilaration over comfort. Choose magic over predictability. Choose potential over safety. Wake up to the magic of everyday life. Make friends with your intuition. Trust your gut. Discover the beauty of uncertainty. Know yourself fully before you make promises to another. Make millions of mistakes so that you will know how to choose what you really need. Know when to hold on and when to let go. Love hard and often and without reservation. Seek knowledge. Open yourself to possibility. Keep your heart open, your head high and your spirit free. Embrace your darkness along with your light. Be wrong every once in a while, and don’t be afraid to admit it. Awaken to the brilliance in ordinary moments. Tell the truth about yourself no matter what the cost. Own your reality without apology. See goodness in the world. Be Bold. Be Fierce. Be Grateful. Be Wild, crazy and gloriously free. Be you. Go now, and live.
[Unknown]

Every creed promises a paradise which will be absolutely uninhabitable for anyone of civilized taste.
[Evelyn Waugh]

But adults aren’t rational. I’m unsure why we expect adolescents to be.
[Prof. Kate Clancey]

War is a series of catastrophes that result in a victory.
[Georges Clemenceau]

A rumour without a leg to stand on will get around some other way.
[John Tudor]

Life is a comedy to those who think, A tragedy to those who feel, And an incomprehensible to those who think they feel.
[Graffito found on a university door when I was a student, circa 1973]

The written word sings in silence through the caverns of the mind.
[Victor Stok]

Her breasts were two lovely promontories. Wherever one looked one discovered soft open spaces, alluring estuaries, pleasant glades, hillocks, mounds, where pilgrims could have lingered in prayer, where they could have quenched their thirst at cooling springs.
[Gabriel Chevallier, Clochemerle]

[I]n all her splendour, with the rich abundance of her lovely milk-white flesh, her bold sweeping contours, her magnificent projections of poop and prow … a frightful incarnation of lewdness, a satanic vision, convulsed and writhing in the shameful pleasures of guilty love.
[Gabriel Chevallier, Clochemerle]

It must be strange being Prince William or Prince Harry on a stag night, shoving pictures of your gran into a lap-dancer’s bra.
[Origin Unknown]

Ancient Awesome

No, not me! Only one of those adjectives applies to me. It is ancient peoples who continue to surprise us by their abilities and their foresight.

A couple of weeks ago I came across this on Good and its progenitor article at The Canadian Press.

As we know, Japan has recently suffered a huge earthquake and subsequent tsunami. Construction codes for major buildings in Japan mean new build is relatively earthquake safe, but older domestic buildings in remote areas don’t have this advantage. Japan is used to earthquakes and the population are well drilled for them.

Japan also should be used to tsunami as they often follow (the right type of) earthquakes. And yet there is no civil planning for tsunami. But once upon a time there was tsunami planning!

Sometimes hidden, more often ignored, there are hundreds of stone tablets along the coast of Japan warning people about tsunami. Many of these tablets are 600 or more years old and carry inscriptions such as

If an earthquake comes, beware of tsunamis

and tellingly

High dwellings are the peace and harmony of our descendants. Remember the calamity of the great tsunamis. Do not build any homes below this point.

This later is on a tablet (pictured above) in Aneyoshi which this year saved the lives of the village’s inhabitants — all of Aneyoshi’s houses are built on higher ground. As one 12-year-old said:

Everybody here knows about the markers. We studied them in school. When the tsunami came, my mom got me from school and then the whole village climbed to higher ground.

Sadly this was not the case in many other towns and villages along Japan’s NE coast, even where there are ancient warning tablets. After the earthquake many people went back to their homes to get their valuables, including children, only to be caught by the tsunami.

So how is it we forget the wisdom of the ancients? Apparently it takes three generations for memories of disasters to fade. Disaster survivors pass on the memories to their children and grandchildren, but after that the knowledge isn’t maintained. Clearly the ancients knew this and erected warning tablets to remind their descendants. We, of course, ignore them; there hasn’t been such a disaster in living memory, so we think we know better.

Maybe we ought to take more notice of the wisdom of the ancients? Maybe it really is time we started learning practical things from history?

Bales of Straw – Only in England!

Between about 18th and 30th April, if you are in central London, it may be worth visiting Tower Bridge for an unusual sight.

The details are in the Port of London Authority Notice (PDF file). Basically work is to be done on a couple of arches of Tower Bridge by men on ropes dangling from the the arches which will on some days be closed to navigation. At other times the arches may still be open to navigation but with reduced headroom when the byelaw requires that the Bridge Master hang a bale of straw “large enough to be conspicuous” from the centre of the arch by day (and a white light by night).

And of course one must not forget that Tower Bridge is officially registered as a ship.

Surely only in this country do we have such arcane, and legally enacted, requirements!

Hat-tip: Ian Visits

Quotes of the Week

Another good selection this week as I’ve been catching up on all sorts of bits of reading.

Tax is imposed by parliament, people and corporations do not pay it voluntarily. The state coerces as much money as possible in the form of tribute to pay for the services and goods the state feels that it requires.
[brianist in a comment at http://www.badscience.net/2011/04/anarchy-for-the-uk-ish/]

The [fifth] duke [of Portland (1800-1879)], a notable eccentric landlord, gave each of his workmen a donkey and an umbrella, so they could travel to work in all weathers. He insisted that they should not salute or show him the slightest deference, and had a roller-skating rink especially constructed for their recreation.
[Mike Pentelow & Marsha Rowe; Characters of Fitzrovia; Pimlico Books (2001)]

Divorced, unemployed, and pissed
I aimed low in life – and missed.

[Prof. Ray Lees quoted in Mike Pentelow & Marsha Rowe; Characters of Fitzrovia]

Then we got softer clay and both of us turned out some quite nice little bowls and pots. It’s fearfully exciting when you do get it centred and the stuff begins to come up between your fingers. V[anessa Bell] never would make her penises long enough, which I thought very odd. Don’t you?
[Roger Fry to Duncan Grant quoted in Mike Pentelow & Marsha Rowe; Characters of Fitzrovia]

My dear, could you advance me a quid? There’s the most beautiful Gl passed out stone cold and naked as a duck in my kitchen.
[Nina Hamnett quoted in Mike Pentelow & Marsha Rowe; Characters of Fitzrovia. The image on the right is a torso of Nina Hamnett by sculptor Henri Gaudier-Brzeska now in the Tate Gallery; Modigliani is supposed to have said (and Nina Hamnett oft repeated) that she had “the best tits in Europe”.]

Live in such a way that you would not be ashamed to sell your parrot to the town gossip.
[Will Rogers]

Relax. There are no gods and you are not going to burn in hell.
[Atheist in America at www.flamewarrior.com]

Each age finds in its favourite crimes images of what it would most love/hate to do. Our own generation of overworked, guilty, child-dominated couples makes of child-abduction the ultimate horror, perhaps because with a dark part of themselves they wish their children dead. The favourite Edwardian murder was undoubtedly centred upon adultery in the suburbs.
[AN Wilson, After the Victorians]

If any demonstration was needed that the battles of Ypres, Mons, Verdun, the Somme had been lunatic, it was provided in summer 1917 at Passchendaele, when Sir Douglas Haig launched an attack against the Messines Ridge south of Ypres. It was a repeat performance of the other acts of mass-slaughter: 240,000 British casualties, 70,000 dead, with German losses around 200,000. By a second attack, in November 1917, on Cambrai, Haig took the Germans by surprise and gained about four miles of mud. Ten days later the German counter-attack regained all their lost ground. If ever there was an object lesson in the folly of war, the sheer pointlessness, here it was shown in all its bloodiness.
[AN Wilson, After the Victorians]

Characters One has Known

Those of you who have met me and know me at all well have probably heard me talk of the “old boy” who was our local builder when I was a kid. He was called Maurice Maxfield and to an average child seemed aged, although he would have been only a few years older than my parents. In fact I also remember Maurice’s father (Charles), although as he died when I was about 9 I doubt I ever spoke with him. Despite always looking fairly disreputable (well he was a builder) Maurice was a real gentleman and a confirmed bachelor; he would always tip his hat to my mother, even from the other side of the High Street!

A lot of this was brought back to me recently as I found a copy of a book** on the local characters of Cheshunt and Waltham Cross where I lived. What follows are some edited quotes about Maurice from the book; some of the things they relate I didn’t know.

Maurice Charles Maxfield was born in Trinity Lane (his father, Charles Maxfield, who came to Waltham Cross in 1888, was born in Yorkshire, in 1873). On the death of his father in 1960, Maurice carried on the family business in the building trade, first established in 1850. Maurice Maxfield owned around fifteen houses in ‘the lane’. His main hobby was his electric organ, which he had built in his home. ‘The Mighty Maxwell’ organ was an enormous construction, stretching from the ground floor to the attic.

Maurice hated television, but he took an interest in local affairs. He died on the 9th of March, 1995 at the age of eighty-four […]

From Ron Bunting (one of Maurice’s tenants):

He was a very sentimental man, who kept a low profile. But he looked after himself quite well, with the help of all his lady friends, who also took good care of him! He used to get Loganberry wine and Mince tarts from me. Yes! he was well liked and well loved in ‘the lane’ […]

Maurice loved skating and often went skating at Richmond ice rink [quite a trek across London even now!]. He was a great fan of Sonja Heini, whom he once met. And about twenty years ago we had a very severe winter with lots of snow and ice around, and Maurice, finding his old-fashioned ice skates, was to be seen boldly skating up and down Trinity Lane.

From John White, who I remember as one of Maurice’s workmen:

I come from a little village called Wyke near Bradford in Yorkshire. I came down to Cheshunt just before the war in June 1936 and I [worked] for Maurice […] from 1947 till 1995 […]

I remember Maurice s father, Charles, and his mother well. His mother was a Miss Storey before she married, and her mother and father ran a baker’s shop at the top of Windmill Lane.

Maurice had two cars, a Ford model ‘A’ and his father’s car, a 1927 Clyno. Maurice […] drove the old Ford around, with all his building ladders on board, he didn’t seem too bothered about its value or its age.

Maurice played in cricket matches and his father was president of the Cheshunt Cricket Club, with Maurice as the vice-president.

Maurice also sang with his father in the choir at Christ Church and later played the church organ there. He built an organ in his home […] the inner works of which has 200 valves in it. If it was taken out of the house, they would have to remove a window and half the wall with it. Maurice used to play the organ every Sunday night, until about two months before he died.

From Bryan Hewitt:

I knew Maurice Maxfield during the last ten years of his life […] His mind was quite extraordinary as was his house. His propensity for trotting out unsolicited vintage local scandal and historical fact was staggering […]

Maurice’s house was spooky. With its verandah and bell-pull, it reminded me of the time when I did a paper-round there in the early 1970s. I thought then that the house was a cross between Herman Munster’s and the Boo Radley House in To Kill a Mockingbird.

The gates to the yard on the left-hand side as you face the house consisted of the cast iron ends of a Victorian bedstead, complete with casters! Beyond his vegetable patch was his two storey workshop, built from corrugated iron.

At the opposite end of his massive garden stood his air-raid shelter. Dotted around the garden were bits of carved masonry mostly of an ecclesiastical nature. No doubt Maurice had saved them in the course of his building career. In his office at the front of the house, he had on the desk a candlestick telephone (still working). The room was panelled in dark oak which he had built. None of the rooms were large, but all suffered from insufficient light and the need of a jolly good dust! The kitchen was a health hazard, as was Maurice’s handkerchief. Bakelite electrical plugs hung precariously on their fabric-coated wires from the wall.

[…] Strangely there was a communication tube which connected the kitchen with the master’s bedroom. Sealing the tube was a whistle, which you blew, in order to catch the attention of the person at the other end.

Famously, there was the organ which Maurice Maxfield had built in the cluttered front room. He told me that he had started building it in 1947, and still had not finished it in 1982, because of small details yet to be added […]

When Maurice died, Peter Rooke [another local historian, who I also remember] and I gained permission from his family […] to remove anything of local interest and hand it over to the [local] Museum. It was an Aladdin’s Cave! There were masses of local photographs, some of which were of the Cheshunt cricket team, there were old programmes, local ephemera and his precious sign, all of which were saved […]

Of course we must not forget the two vintage cars that Maurice drove. Both cars were from the 1920s. One was a Clyno, which I am led to believe was one of only five left in the world; the other was a Ford model ‘A’ and it was not unusual to see him driving it about for work, with his ladders, and several feet of plank sticking out ungraciously from the rear of the car […] In his 70s and 80s, he was going to lots of vintage car rallies as far afield as the USA. Maurice Maxfield was also an expert skater and had once partnered the Norwegian film star, Sonja Heini (1910-1969).


Maurice Maxfield (right) with his father (Charles) and their cars in Trinity Lane. The left hand car is the Ford Model A and the one on the right the 1927 Clyno. The small gable roof (with 3 windows) just visible behind the Clyno is the front of Maurice’s house. This must have been taken in the mid-to-late ’50s as the road has clearly been well surfaced which it wasn’t when my parents moved there in 1950.
The cars were amazing. The Ford Model A, dating as I recall from 1920, was a deep polished blue, and was indeed always seen with ladders and planks protruding from the back of the soft top (which I never saw down).

The 1927 Clyno was an equally polished deep green (darker than British Racing Green) and always immaculate as it was only ever used on Sundays and special occasions. Again it was a soft top.

Maurice once gave me a lift home from the shopping centre in the Ford. We chugged the mile or so at a very stately pace even for the time (probably early ’70s); I could almost have walked it as quickly, but I wasn’t going to turn down the chance of such a ride. I noticed that the speedo had a top speed of 40mph; I don’t think we got up above 15mph! And Maurice used to regularly drive from north London to Yorkshire for the weekend in these cars! I also remember him saying that even in the ’60s and ’70s spares were not a problem: the c
ars were so simple if he couldn’t buy a part he could make it!

The picture above is typical of Maurice. It had to be really tropical before he dispensed with his grubby-looking overcoat and he was never without his trilby. I also remember him riding along the lane on his father’s old “sit up and beg” bicycle. He also had a hardcart which he trundled around carrying building materials. He would go anywhere for a vintage car rally or to hear or play a church organ.

My mother was another who, in a small way, looked after Maurice and benefited from his generosity. Every summer he’d say “Mrs Marshall there are more strawberries in the garden than I’ll eat. Just wander in any time and help yourself.” So we had a supply of strawberry jam and of course Maurice had a few pots as well. It was a similar story with the grapes on his vine and the quinces.

One final story. I remember him once telling me that he went to Hertford Grammar School in the 1920s (the best part of 15 miles away and the nearest grammar school). He had to walk across the fields and marsh to Cheshunt Station (a good 1½ miles), get the (slow) steam train to Hertford and then walk from the station to school (probably another 10 minutes). And he did this return journey, every day, 6 days a week (yes, grammar school on Saturday mornings in those days!) and in all weathers.

They don’t make them like that any more!

** Dave Field; Cheshunt: Its People, Past and Present; Gaillet Press (2000); pp 47-55

[13/52] Magnolia

[13/52] Magnolia
Week 13 entry for 52 weeks challenge.

This is the magnificent magnolia in the churchyard outside St James’s, Piccadilly, London. Taken against the backdrop of the church, which was designed by Sir Christopher Wren but much restored.

The church also contains a small memorial to the poet, artist and mystic William Blake (28 November 1757 – 12 August 1827) who was baptised there on 11 December 1757.

The churchyard of St James’s hosts an Antiques Market on Tuesdays and an Arts & Crafts Market on Wednesday to Saturday. I’ve not been to the former, but the latter is definitely worth a visit if you’re present hunting and especially in the run-up to Christmas. There is also a coffee shop and the church itself is almost always open.

Coffee Houses

Now we all know the importance of coffee houses in the history of our society – Lloyds of London (the insurance market-makers) was started in a coffee house in 1774. By this time the coffee house had been in existence for well over 100 years having been started in London in 1652. Slightly surprisingly the Commonwealth government were in favour of coffee houses as they didn’t provide intoxicating liquor.

But like all good British institutions they had their rabbleous side. I came across this last evening:

There was a rabble going hither and thither, reminding me of a swarm of rats in a ruinous cheese-store. Some came, others went; some were scribbling, others were talking; some were drinking [coffee], some smoking, and some arguing; the whole place stank of tobacco like the cabin of a barge. On the corner of a long table, close by the armchair, was lying a Bible. Beside it were earthenware pitchers, long clay pipes, a little fire on the hearth, and over it the high coffee pot. Beneath a small bookshelf, on which were bottles, cups, and an advertisement for a beautifier to improve the complexion, was hanging a parliamentary ordinance against drinking and the use of bad language. The walls were decorated with gilt frames, much as a smithy is decorated with horseshoes. In the frames were rarities; phials of a yellowish elixir, favourite pills and hair tonics, packets of snuff, tooth powder made from coffee grounds, caramels and cough lozenges.

This is by one Ned Ward writing in the 1690s and quoted in Jonathan Bastable, Voices from the World of Samuel Pepys. Not so much different from your average Starbuck’s really.

And the Managers are Still in Charge of the Loony Bin …

This is a long quote and deserves a post all of it’s own.

Sir Hartley Shawcross, after the Labour victory [1945], had announced: ‘We are the masters at the moment.’ But who were the ‘we’ in this sentence?

The most eloquent answer to this question in art is found in Anthony Powell’s comic masterpiece A Dance to the Music of Time, the first volume of which, A Question of Upbringing, was published in 1951. The story begins in the year 1911 at an unnamed boarding school, obviously Eton, as the hero, Nick Jenkins, ambles idly through the winter mist to have tea with his chums. As he makes his way back to the house he passes a very different sort of boy – it is Widmerpool, who forces himself to have a run each afternoon. Widmerpool appears to be no more than a figure of fun in the school section of the book, but even in this early glimpse of him, the narrator and his readers become aware that he is a figure who lives by the will, in some mysterious sense more in tune with his times than the languid, bohemian Nick, who wishes to live by the imagination.

Powell was a close friend of Malcolm Muggeridge at this date, and the two men would often walk round Regent’s Park together discussing the fundamental clash on which the emergent novel was to feed, namely the war between the will and the imagination. Power mania had been an obsession of Muggeridge’s since his Marxist days: what draws men and women to power, how they become addicted to it, how it takes over from other appetites. One of Muggeridge’s beliefs was that power addicts were often dyspeptic, and he rather cruelly attributed Stafford Cripps’s dyspepsia to power addiction. When Widmerpool grows up, he too is a dyspeptic. There is a memorably funny Sunday lunch when Widmerpool gives the narrator a meal in his club, washing down cold tongue with a glass of water. By the time the narrative has reached the postwar period, it is no surprise to find that Widmerpool, a fellow-traveller with the Communists, who has rather dubious associations in Eastern Europe, is an MP in the Labour interest. He has achieved what he wanted from the very beginning, on that run through the winter mists in the Thames Valley: the free exercise of power. Widmerpool is a manager, a wheeler-dealer. He judges people by how they have got on; he has no sense of England’s past, no feeling for people (at quite a late stage of the sequence, he forgets the narrator’s Christian name). Much of Powell’s somewhat peppery Toryism goes into the creation, no doubt, but the novel contains a really acute perception of what had happened to England during the war. It had not been taken over by Bolsheviks or by the working class. Widmerpool is an efficient, ruthless staff officer, a paper pusher. He could easily have said, after the 1945 election: ‘We are the masters.’ He would have meant that the managerial class, previously all but non-existent, had taken over. The growth of bureaucracy in Britain in the postwar years, the filling up of political, Civil Service and professional posts with colourless, pushing people controlling others for the sake of control, was to be a feature of life from then onwards. Widmerpool was a man of his time, and a man of the future.

[AN Wilson, After the Victorians]

Well, no change there then!

As so often in his two books, The Victorians and After the Victorians, AN Wilson gets his rapier right to the heart of the matter. Although both books are chunky paperbacks (both weigh in at some 500 pages) they are well worth reading – and eminently readable. AN Wilson gives a rather more perceptive, and admittedly slightly jaundiced, view of the history of Britain between the 1830s and 1950s than one finds in the standard texts. He delves under the political and economic covers, especially around the underlying reasons for both world wars and (at least for me) puts a completely new spin on modern British history.

Quotes of the Week

OK, here’s this week’s selection of oddities encounter in the last few days …

‘Look at the bird.’ It was perched on a branch by a fork in the tree, next to what looked like a birdhouse, and nibbling at a piece of roughly round wood it held in one claw.
‘Must be an old nest they’re repairing,’ said Lu-Tze. ‘Can’t have got that advanced this early in the season.’
‘Looks like some kind of old box to me,’ said Lobsang. He squinted to see better. ‘Is it an old … clock?’ he added.
‘Look at what the bird is nibbling,’ suggested Lu-Tze.
‘Well, it looks like … a crude gearwheel? But why —’
‘Well spotted. That, lad, is a clock cuckoo.’

[Terry Pratchett; Thief of Time]

Hindsight, the historians’ parlour-game, can lead from false premise to false conclusion. Because we see the fateful consequences of our forebears’ actions, we can wrongly suppose that, had they done differently, things would have been better.
[AN Wilson, After the Victorians]

The clergy were seldom rich, but they were treated as if they were gentlemen: very often they were. Nearly all of them had degrees. High Church, Low Church, Broad Church, they were disseminated throughout the land. If they were even half good at their jobs, they and their wives and families mixed with everyone in their parish. They were extraordinary agents of social communication. It meant that almost everyone in England was within five miles of a man who could read ancient Greek.
[AN Wilson, After the Victorians]

Snow fell, east winds blew, pipes froze, the water main (located next door in a house bombed out and long deserted) passed beyond insulation or control. The public supply of electricity broke down. Baths became a fabled luxury of the past. Humps and cavities of frozen snow, superimposed on the pavement, formed an almost impassable barrier of sooty heaps at the gutters of every crossing, in the network of arctic rails.
[Anthony Powell, Books Do Furnish a Room]

In the highbrow world you “get on”, if you “get on” at all, not so much by your literary ability as by being the life and soul of cocktail parties and kissing the bums of verminous little lions.
[George Orwell]

In a mad world only the mad are sane.
[Akira Kurosawa]