Brooke Magnanti
The Sex Myth: Why Everything We’re Told is Wrong
Weidenfeld & Nicolson; 2012
If, like me, you’re always doubtful of what “they” are telling us about sex (well actually about anything) then this book is an eye-opener. And who better to open our eyes than Brooke Magnanti, for if anyone knows then she should:
Brooke Magnanti studied Genetic Epidemiology and gained her PhD at the Department of Forensic Pathology, University of Sheffield. Her professional interests include population-based research, standards of evidence, and human biology and anthropology. In 2009 it was revealed that she is an ex-call girl and author of the bestselling Belle de Jour series of memoirs, which were adapted into the TV series, Secret Diary of a Call Girl.
She is also a novelist, blogger and activist who, in 2016, was called to give evidence about sex work conditions in the UK to the Home Affairs Committee investigating prostitution laws in Britain.
In describing the content I can’t do a lot better than the book’s cover blurb:
Is there any truth to the epidemic of sex addiction? Are our children really getting sexualised younger? Are men the only ones who like porn? Brooke Magnanti looks at all these questions and more – and proves that perhaps we’ve all been taking the answers for granted.
Brooke Magnanti is no stranger to controversy. As Belle de Jour she enthralled and outraged the nation … Now her real identity is out in the open, Brooke’s background as a scientist and a researcher comes to bear in this fascinating investigation into the truth behind the headlines, scandals and moral outrage that fill the media (and our minds) when it comes to sex.
… Brooke strips away the hype and looks at the science behind sex and the panic behind public policy. Unlike so many media column inches, Brooke uses verifiable academic research. This is fact, not fiction; science not supposition.
Don’t let the “science” label put you off. Yes, Brooke references all her sources but her style is light and eminently readable. She combines her skills in statistics, epidemiology and research with her experiences as a call-girl to blow the lid off what the Agenda Setters and politicians are telling us, thus exposing all the myths surrounding sex in society.
Brooke follows what the Agenda Setters and Evangelisers are saying and traces back where they get (or more usually fabricate) their data – and then by reference to peer-reviewed research shows where and how it is false. From sex addiction, through trafficking for sex, to the decriminalisation of prostitution, myths are well and truly busted.
If I had to find criticisms of the book they would be four, albeit relatively small: (1) It’s a shame the book is now 5 years old; it would be good to have an update. (2) Personally I would have liked more diagrammatic explanations of the data presented. (3) In each chapter a summary of the evidence, and how it is built into the arguments, would have helped my understanding of the (often necessarily) convoluted and detailed analysis. And (4) like so many books these days it could well be reduced in size by better design and typography and not printed on such cheap paper.
But that aside, the book is highly illuminating and well worth reading.
Overall Rating: ★★★★☆
The idea is good and the book should have been interesting, but I found it facile and superficial: like cheap brawn, lots of aspic with very little meat. I had to give up on it half way through.
What emerges is a “who nearly done it” from the misty and murky world of Elizabethan espionage. Espionage that, in those dangerously unsettled times, was essential for the survival of Protestant England and Elizabeth. Espionage, which was perhaps the first really consolidated use by the state, and whose methods very much laid the foundations even for today’s shadowy world of subterfuge.
This is, in the words of the Preface, “a book that invites the reader on a journey from map to map, to let their imagination run free”. It is a curious collection of historical maps, around which the author tells the stories the places and voyages which gave birth to the maps.
Čapek (1890-1938) was a Czech novelist, dramatist and journalist who was mostly active in the 1920s and 30s. He is possibly best known today for two plays written with his brother Josef: R.U.R. (Rossum’s Universal Robots) and Pictures from the Insects’ Life (aka. The Insect Play). This latter I have known since school as we did it as the school play in my final year; it is strange, weird and disturbing. With R.U.R. Čapek is credited with the invention of the term “robot”.
This is an almost supernatural personality, Mr Bernard Shaw. I couldn’t draw him better because he is always moving and talking. He is immensely tall, thin and straight and looks half like God and half like a very malicious satyr, who, however, by a thousand-year process of sublimation has lost everything that is too natural. He has white hair, a white beard and very pink skin, inhumanly clear eyes, a strong and pugnacious nose, something knightly from Don
This is another of my Christmas acquisitions. It is a large coffee table book of almost 250 pages containing (mostly) photographs and diagrams on a black background with relatively little, but simple, textual explanation. It is a science book for the non- or only-just-scientist in which Gray sets out to show us how everything around us is built.
I was given this book at Christmas – well what else do you give a Londoner who is interested in the history and eccentricity of the city? I’ve been reading it in small chunks, which is why I’ve only just finished it.