On Poetry

Until now I had never read TS Eliot’s The Waste Land. So when Simon Barnes (yes, that Simon Barnes: environmentalist, journalist, author, former Chief Sports Writer of The Times) had a piece recently in The New European I took notice.

I know Barnes slightly; he’s a great fan of Anthony Powell’s A Dance to the Music of Time and gave the 2022 Anthony Powell Society Annual Lecture just a few weeks ago. So of course I took notice – especially as he read English at the University of Bristol, and I know him to be a thinker.

Why had I not read The Waste Land before? Well, I’m not a great reader of poetry; I never have been, partly because, like so much of English Literature, I was put off it by school. It’s not that I dislike poetry but all the

I wondered lonely as a cloud of golden daffodils

[sic] stuff turns me off, as does most modern so-called poetry that doesn’t scan and doesn’t rhyme – and I’m not even sure how Shakespeare brings off blank verse. So spare me, inter alia, Wordsworth, Tennyson, Longfellow (of the first type) and Allen Ginsberg, Simon Armitage, Carol Ann Duffy (of the second).

But there is poetry I like. Coleridge, https://www.poetryfoundation.org/poems/43997/the-rime-of-the-ancient-mariner-text-of-1834. Lewis Carroll, https://www.poetryfoundation.org/poems/43909/the-hunting-of-the-snark. TS Eliot’s Old Possum’s Book of Practical Cats (see Eliot can write “proper” verse) – I knew the entire 66 lines of Skimbleshanks off by heart when I was about seven or eight. Roger McGough, Summer with Monika. C Day Lewis, Requiem for the Living. John Updike. Christopher Smart, Jubilate Agno.

But I’m sorry, The Waste Land is pretentious garbage – and the Four Quartets are not that far behind. It neither rhymes (OK, there’s the odd couplet) nor scans. For me it is in the same rubbish bin as Ulysses, Finnegan’s Wake, Salman Rushdie’s Satanic Verses, Edith Sitwell’s Façade. None of them make sense, and they’re pretty unreadable. Pseudo-profound bullshit, one suspects written to make money from a clutch of gullible critics. And were they gulled.

No, sorry, you enjoy it if you want to, but it says nothing to me. Just leave me alone to be a Philistine.