Category Archives: amusements

Five Questions, Series 4 #2

OK so here goes with my answer to the second of our fourth series of questions. Ready? … Go …


Question 2: Why are manhole covers round?
I’m so surprised at even having to be asked this, as I would have thought the answer was obvious: as a safeguard against square aliens, of course.
I mean what other possible reason could there be? It isn’t as if they’re really easier to make than heptagonal covers, is it? Nor easier than square ones.
And it can’t be that a round cover would use less material than a polygonal one, can it. That would just be silly! How could any right-minded person think such a thing?
No the only possible answer is that they’re to guard against square alien invaders …

See what I mean?

World Tin Bath Championships, 13 July

Anyone on the Isle of Man on 13 July should head to Castletown for the the World Tin Bath Championships.

Yes, this is what it sounds like: competitors paddle tin baths around Castletown’s Middle Harbour to raise money for local charities. There are men’s, ladies and team races.



There is also the Snake Race, which seems to consist of teams of six (four men, two women) competing as a team in some form of construction of type inner tubes.



If you like water (include me out!) it looks like fun.

As always there is more on the World Tin Bath Championships website at www.castletown.org.im/tinbaths/.

Auctionalia

Well it’s summer (allegedly) and there doesn’t seem to be a whole bunch going on to blog about. So here is one of our irregular collections of curiosities from our local auction house’s latest catalogue. As usual the eccentricity defies logic.

A full-length pastel of a girl on the seashore, by D Alvarez Gomez Domingo, signed, wearing a long white dress with a scarlet sash and holding a straw hat, modern frame
[But why was D Alvarez Gomez Domingo wearing a long white dress, with sash, and carrying a straw hat when they signed the picture?]

A small limited edition engraving of artist mice being watched by a cat, signed by the artist in the margin (illegible), two oils of cats, etc.

Three reproduction Georgian style mahogany framed wall mirrors, one with a shell and the other a Ho-ho bird surmount.
[And the third mirror? Oh and WTF is a ho-ho bird?]

A mid 20th century autograph bool (sic) with sketches, poems, photographs of the stars of the time, some signed, etc.



A pair of large George III silver shoe buckles, with openwork faceted beads between milled borders, maker’s IL, lion passant and duty marks.
[This is only one of about two dozen similar lots. Who collects this stuff?]

A musical John Peel tankard by Crown Devon, and silver plated objects including a candelabra, (sic) candlesticks, goblets, etc.

A snooker cue in metal case, inscribed on a plaque, ‘To Stumpie from Max and Buddy Bear’
[The mind boggles!]

Three shelves of mainly tribal wooden carvings including a wooden duck with brass and mother-of-pearl decoration, a lion, green painted octagonal lidded box with brass decoration, wicker lidded box, a tribal head, brass pot, etc.

A large mantel clock in exuberant pottery case … c.1900

An interesting collection of bladed weapons and associated items, 19th and 20th century, comprising 7 bayonets with 4 scabbards, a commando knife with leather scabbard, the blade signed IXL, a kris, 4 other knives with 2 sheaths, 3 powder horns, a shot flask, 2 shell cases, and gun parts

A reproduction suit of armour and four dress swords
[Anyone got a castle to decorate?]

A 4-Hatch Coaster radio controlled boat named ‘Tamara’ with a digger on the deck, in white, red and grey, approximately 40″ long, on stand

A radio controlled German WWII E-Boat, scale 1:24, approximately 57″ with three motors, also a part-built submarine approximately 67″
[These two boats are a sample of about 12 similar lots!]

A lot of old skulls, antlers and horns, and a display of small tusks

Two old tool boxes and contents, a roll of barbed wire, axle supports, a saw, level, etc.
[It’s the barbed wire that makes this a “must have” lot!]

An example of taxidermy, a mongoose struggling with an adder



A BMW motorbike combination, registration number E259 LOW, the sidecar possibly by Steil

Speaking Out about Dumbing Down

In an interview by Michael Hogan in yesterday’s Guardian, acerbic art critic Brian Sewell has denounced most factual TV as disgracefully dumbed-down — particularly on the BBC.


I love Brian Sewell. OK, he’s made a career out of being opinionated and often downright rude, but I love the way he isn’t afraid to speak his mind. And so often he is right, too, just as in this interview. For example:

I’m not really talking about the entertaining things. Hateful though I find them, the BBC does those perfectly well. But anything they tackle that is intellectual, historical, biographical, cultural … It all turns into a travelogue of some kind. Whether it’s Andrew Graham-Dixon on the Italian Renaissance or that rat-faced young man [Simon Reeve] wandering round Australia, it’s the same, because this is what the BBC asks for. The channel controllers are of little education and no background. The editors are very technically clever but know nothing about the topic, so they fit everything to this comfortable format. We deserve better. It’s patronising rubbish.

[…]

All those Simon Schama and David Starkey programmes inevitably turn into walking about and arm-waving. Poor Mary Beard, trundling around the ruins of Rome on a bicycle. Why? These devices even creep into news bulletins: some wretched reporter suddenly emerges from behind a car or tree and walks towards the camera. For God’s sake, you have news to communicate. Stand still and tell us what it is. I don’t want to be entertained, I want to be informed.

[…]

Attenborough does very well because he is just there, talking as the omnipotent voice. He’s good at that. That’s infinitely more convincing than Brian Cox with his sibilant delivery, trying to be the sex symbol of science.

[…]

[The BBC is] terrified of being too intellectual. There’s no debate, no critical discourse or differing viewpoints. The BBC has forgotten the tradition of the Third Programme, which was introduced on radio in 1946. It was fundamentally serious: we didn’t talk down to you, we talked to each other as we normally would and you’d better hurry along behind. I taught history of art in Brixton jail for 10 years and one lesson I learnt very quickly is never talk down to people. If you treat them as equals, you’ve got them, they’re with you. But talk down, they smell it a mile off and hate it. That’s what the BBC does all the time.

[…]

I see [Top Gear] as three clowns enjoying themselves and nothing whatsoever to do with motor cars. They never talk about the aesthetic beauty of cars, their history or future. They’re just overgrown schoolboys.

And there’s a lot more in that vein.

The other evening we watched the BBC Horizon programme on the doings of domestic cats in a Surrey village. It actually told you nothing that wasn’t known 25 years ago; there were no new discoveries, no real research and actually little information — basically just a load of Oooo’s and Ah’s backed up by a bit of new-ish technology and a load of waffle. And this despite the programme being better than most of what Horizon pushes out.

Do read the Sewell interview. Whether you agree with him or not (and I have to admit, I do agree) it is a hoot!