Full of Money

I’ve just finished reading Full of Money by Bill James. Crime fiction is not the sort of thing I would normally read but I started dipping into it out of a sense of duty. Duty because Bill James uses Anthony Powell’s A Dance to the Music of Time as a pivotal back-plot. But also because James is in real life AJ Tucker one of the earliest to write academically about the Dance sequence. I soon found “dipping in” wasn’t good enough and I had to start at the beginning.

I’m not really one for crime fiction. Why do I want to read about gangsters giving each other “acute lead poisoning” and being pursued by dumb cops? Is this different? Yes, it is. To start with there is no blazing gun battle or consequent “lead poisoning” (except off-stage at the end); not that we know that at the outset. It’s set in late 1990s London. And the only cop who plays a significant role is a senior female Detective Chief Superintendent, though by many measures she’d still rate as foolhardy if not dumb.

The main events of the story – murder and drug dealing on two inner London housing estates – all take place off-stage, the main one even before the book opens; they’re almost a backdrop rather than the raisons d’être of the story. So we have to piece everything together from set of cameos revolving around the DCS, a range of larger and smaller villains, and media types who play out these cameos through a variety of sub-stories. The twists and turns are interesting; the writing is good, and tight; the dialogue civilised and mischievous – all of which kept me turning the pages. Indeed the quotes on the jacket sum it all up rather well:

Engaging reading for mystery fans who like their crime stories gritty, realistic, and unsettling.

James knows how to pick the perfect turn of phrase and uses this gift to evoke dark hilarity, and bring a sense of menace and foreboding even in the midst of seemingly comic situations … [a] brilliant and thoroughly entertaining mix …

A gleeful send-up, by turns sinister and amusing, James is probably the most undervalued Brit writing crime fiction today.

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